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      <image:caption>Jay Emmanuel - Artistic Director &amp; CEO Jay, an internationally acclaimed performer, writer, and director and, is the founder of Encounter. He migrated to Australia in 2009, after graduating from the Jacques Lecoq School in Paris. His recent works include The Tides of Longing (WASO) and Children of the Sea (Perth Festival, 2021). He also appeared in Why Not Theatre’s Mahabharata (Barbican, London) and the award- winning Counting and Cracking by Belvoir St. Theatre. In 2019, he participated in the Australia Council for the Arts Future Leader Program and is a Churchill fellowship recipient.</image:caption>
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      <image:caption>Fleur Hardy - Business Manager Fleur is an arts manager with a decade of national and international arts experience in roles at Spare Parts Puppet Theatre, Regional Arts WA, Edinburgh Festival Fringe, Perth Festival and Scenkonst Uppsala. She is currently Business Manager at Encounter, K-Oz Art Market Committee Member, and freelance with Yilka Heritage and Land Care. Her practice champions equity, care and access, providing inclusive environments where artists and communities can thrive through sustainable, values-led collaboration.</image:caption>
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      <image:caption>Katrina Chandra Creative Producer Katrina is an experienced performing arts producer and practitioner, having spent over 30 years working across various theatrical production, event and technical roles in Australia, Aotearoa New Zealand and internationally. She has worked at most theatres around Aotearoa, having held roles at Bats Theatre, Taki Rua Theatre, Silo Theatre, Mangere Arts Centre, Arts Festival Dunedin, the Sir Howard Morrison Centre and Te Pou Theatre as well as working for over five years at Playmarket representing NZ Playwrights and co-producing the National Māori Theatre Hui in Aotearoa for the past six years. Katrina also lived in Melbourne where she worked with Snuff Puppets for five years, during which she assisted in organising and managing tours in over 20 countries. Katrina has a BA (Hons) from the University of Auckland.</image:caption>
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      <image:caption>Allysha Sherrington Operations &amp; Digital Coordinator  Allysha is a Perth-based emerging arts professional with a background in visual arts. Allysha’s passion has evolved to include the performing arts sector, where she is particularly interested in marketing and engagement within the context of cultural organisations. In 2024, she joined Encounter Theatre as a development and funding intern which led her to secure a part-time role as Encounter’s Operations and Digital Coordinator. This hybrid role oversees administrative responsibilities, marketing and content management, and stakeholder engagement, to support the delivery of Encounter’s programming and artistic vision. With strong community values and a commitment to arts advocacy, Allysha is passionate about using creative work to connect people, and supporting meaningful and equitable access to arts and culture in WA.</image:caption>
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      <image:caption>Harry Hamzat Creative Leadership Intern</image:caption>
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      <image:caption>Briannah Davis - Associate Producer Briannah is a creative producer and dance artist. Her work focuses on supporting diverse artists, stories and contemporary form through collaborative practice. Since graduating WAAPA (Bachelor of Arts Dance Honours, 2018), she has been a self-producing contemporary dance artist and theatre producer for independent productions working with Co3 Contemporary Dance Company (Co3), The Blue Room Theatre (TBRT), Propel Youth Arts, STRUT Dance, Benjamin Quirk, blue joy theatre co, Georgi Ivers, Noemie Huttner-Koros, stop drop + roll theatre, Squid Vicious &amp; Renegade Productions. For the last 2.5 years she was the Producer at TBRT leading the organisation's annual programs and engagement. Recently, she was the Producer at Perth Institute of Contemporary Arts (PICA) to produce the STRUT Dance Restore season.</image:caption>
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      <image:caption>Jules Orcullo – Resident Dramaturg   Jules (she/they) is a playwright and songwriter. She currently works as Dramaturg at Sydney Theatre Company. In 2024, she won the Griffin Award for her musical play My Dad Never Saw The Beatles, and her debut musical Forgetting Tim Minchin was nominated for an AWGIE Award and Time Out Award for Best Musical. She works as a mentor and facilitator for emerging artists through Sydney Theatre Company, ShopFront Arts Co-op, ATYP, Curious Works, and Australian Plays Transform. Jules is committed to creating theatre that speaks to diverse audiences across generations, abilities, and experiences.</image:caption>
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      <image:caption>Chair Karl is a Fellow Certified Practising Accountant (FCPA), the Principal CFO at the CFO Centre. With over 30 years of local and international chief executive and chief financial officer experience across a broad range of business functions in the electricity, water and telecommunications sectors, Karl worked in government trading entities and publicly listed companies with board roles in Australia and overseas. As CFO of Synergy, the state energy generator, wholesaler and retailer in Western Australia, Karl had direct responsibility for managing the company’s strategic financial planning, business reporting, financial accounting, treasury, tax, energy trading risk, and strategic procurement activities.</image:caption>
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      <image:caption>Deputy Chair Frances is an experienced Producer who has worked across leading cultural institutions, including the Tate Galleries, Biennale of Sydney and most recently Australia Council for the Arts. She is currently Lead Program Producer at Next Wave. Frances’ practice is driven by an unwavering commitment to fairness and societal equity, particularly for/with d/Deaf and disabled artists and leaders. She sees her role as a connector and space-creator and is dedicated to supporting the development of others. Cultivating care as a form of advocacy is embedded across her work and relationships. Frances is interested in creating pathways within our sector that imagine new collective futures that prioritise reciprocity, generosity and equity.</image:caption>
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      <image:caption>Secretary Emiko is a lawyer who is passionate about the arts in Boorloo (Perth). She has a Bachelor of Laws with Distinction from Murdoch University and a Graduate Diploma in Arts Management from WAAPA. In 2022, Emiko completed the Office of Multicultural Interests (WA) Leadership and Governance Program. Prior to law, Emiko has over 10 years of arts and community sector experience including as a director of artist-run-initiative Paper Mountain, an events coordinator at the Northbridge Piazza, and a broadcaster at RTRFM. She has also worked with AGWA, Perth Centre for Photography, Revelation Perth International Film Festival, and Fringe World.</image:caption>
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      <image:caption>Treasurer Yen is a Certified Practicing Accountant (CPA) and a recipient of the CPA WA award. Yen brings financial management expertise gained from senior roles within the mining, agriculture and chemical industries over the last 15 years. Yen’s experience includes managing customer service, project management and business improvement teams. Yen is currently a Commercial Advisor at Wesfarmers Chemicals, Energy and Fertilisers focusing on developing commercial opportunities. Yen has a deep appreciation for the arts, especially theatre, and also enjoys bushwalking in her spare time.</image:caption>
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      <image:title>People - Caroline Wood</image:title>
      <image:caption>Caroline is co-founder and CEO of the Centre for Stories. Caroline has decades of diverse professional experience spanning academia, publishing, and advocacy. She has held senior management positions at the University of Western Australia and has served on the boards of Amnesty International Australia, Small Publishers Network and Margaret River Augusta Tourism Association. She was Chair of Margaret River Readers and Writers Festival and is also the co-founder and director of Margaret River Press.</image:caption>
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      <image:caption>Josianne is a transformation and technology professional with a Masters in International Relations from San Francisco State University, and a Bachelors in Communication from the Université du Québec à Montréal. Having lived and worked in multiple countries, Josianne brings a global perspective to her work and community engagement. Hailing from a Native American (Wendat) background she is passionate about leveraging storytelling as a powerful tool to connect humans. Josianne has held various senior positions at Synergy before joining Woodside Energy, where she is currently Head of Digital Delivery, Platforms, and Software Engineering.</image:caption>
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      <image:caption>We create theatre with integrity and quality.</image:caption>
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    <lastmod>2025-02-27</lastmod>
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      <image:title>Mahabharata 2025 - ★ ★ ★ ★ ☆</image:title>
      <image:caption>“…drawing a standing ovation from a devoted crowd on Saturday.”</image:caption>
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    <lastmod>2025-02-19</lastmod>
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  </url>
  <url>
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    <lastmod>2025-09-15</lastmod>
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      <image:title>New Horizons</image:title>
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  <url>
    <loc>https://www.encountertheatre.com/expressive-writers</loc>
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    <lastmod>2025-10-21</lastmod>
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      <image:title>Expressive Writers Group</image:title>
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  <url>
    <loc>https://www.encountertheatre.com/community</loc>
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    <lastmod>2026-02-05</lastmod>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://www.encountertheatre.com/play-reading</loc>
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    <priority>0.75</priority>
    <lastmod>2025-10-23</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3f474cfd3a775f5ee947f5/1731376501669-15YI5IC71VQLN92STVRP/Children_of_the_Sea_closing_night-08%2B%2528photo%2Bby%2BDan%2BGrant%2529.jpg</image:loc>
      <image:title>Play Reading Group</image:title>
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      <image:title>Play Reading Group</image:title>
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  </url>
  <url>
    <loc>https://www.encountertheatre.com/dramaturgy-development-group</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-11-11</lastmod>
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      <image:title>Dramaturgy Development Group</image:title>
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      <image:title>Dramaturgy Development Group</image:title>
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  </url>
  <url>
    <loc>https://www.encountertheatre.com/screenwriting-group</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-09-04</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3f474cfd3a775f5ee947f5/1731376501669-15YI5IC71VQLN92STVRP/Children_of_the_Sea_closing_night-08%2B%2528photo%2Bby%2BDan%2BGrant%2529.jpg</image:loc>
      <image:title>Screenwriting Group</image:title>
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      <image:title>Screenwriting Group - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://www.encountertheatre.com/partnerships</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-02-05</lastmod>
  </url>
  <url>
    <loc>https://www.encountertheatre.com/thisgen-2026</loc>
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    <priority>0.75</priority>
    <lastmod>2026-03-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3f474cfd3a775f5ee947f5/1731376501669-15YI5IC71VQLN92STVRP/Children_of_the_Sea_closing_night-08%2B%2528photo%2Bby%2BDan%2BGrant%2529.jpg</image:loc>
      <image:title>ThisGen 2026</image:title>
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      <image:title>ThisGen 2026 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>ThisGen 2026 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>ThisGen 2026 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>ThisGen 2026 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>ThisGen 2026 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://www.encountertheatre.com/thisgen-fellows</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-02-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3f474cfd3a775f5ee947f5/1731376501669-15YI5IC71VQLN92STVRP/Children_of_the_Sea_closing_night-08%2B%2528photo%2Bby%2BDan%2BGrant%2529.jpg</image:loc>
      <image:title>ThisGen Fellows</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3f474cfd3a775f5ee947f5/1749696673752-7EES5I2UI6F0ESRBAYV4/isha.png</image:loc>
      <image:title>ThisGen Fellows - Isha Sharvani</image:title>
      <image:caption>Producing Fellow Isha Sharvani is an Indian-born Australian contemporary dancer, who has been performing professionally since the age of 13. Isha’s work is strongly rooted in Indian traditional dance &amp; spiritual disciplines, which she has adapted into contemporary dance, circus &amp; visceral ways of storytelling, bringing to light a unique and completely original cross-cultural art form. As the principal dancer of The Daksha Sheth Dance Company for over two decades, Isha has performed in thirty countries engaging in over 3000 live shows to date for over 2 million live audience members. Isha is a leading lady in Bollywood and south Indian films, acting in 13 feature films, including Bollywood hit movies like “Luck by Chance” and "Kisna" alongside actors like the late Irfan Khan, Kajol, Farhan Akhtar and Hritik Roshan.  Isha is also an independent choreographer and producer having recently presented a new intercultural hybrid dance theatre show Kin, that premiered in regional WA at the Queens Park Theatre, Geraldton.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3f474cfd3a775f5ee947f5/1731399717932-BJHIWM7VZ18MI8U4EI9O/xin.jpeg</image:loc>
      <image:title>ThisGen Fellows - Xin Hui Ong</image:title>
      <image:caption>Producing Fellow Based south of the Derbarl Yerrigan in Beeliar land, Xin Ong is an emerging producer and artist whose work spans stage, film, gallery space and site-specific installation. As a producer, Xin works in a space of deep listening, and is interested in audience-building for artists.  Born in Singapore, Xin moved to Australia to pursue medicine, but realised that many health conditions faced by developed countries were rooted in a lack of connection - to our own bodies, to purpose, to each other, and to our wider ecosystem. Xin felt this could be more readily addressed within the arts and pivoted to pursue this full-time. She completed her Bachelor of Performing Arts (Honours) 1st class at Western Australian Academy of Performing Arts in 2023, researching Leadership in Interdisciplinary Collaboration - Holding Space for Psychological Safety and Peak Performance, which linked business and behavioural psychology to performance-making practice.  Xin has a strong interest in arts in health and community engagement. She believes in the power of dance as a nexus between human physicality, social connection and the power of the arts as a form of catharsis, creativity and sense of purpose. She hopes to be part of a movement to increase the demand for the arts amongst the general public in order to forge more sustainable career pathways for artists.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3f474cfd3a775f5ee947f5/1731399714141-9973N55U5HQXKDID3VHY/rachel.jpg</image:loc>
      <image:title>ThisGen Fellows - Rachel Adams</image:title>
      <image:caption>Producing Fellow Rachel (she/her) is currently studying her honours year as part of the Bachelor of Performing Arts (Performance Making) at WAAPA. She is one of the founding members of the Sapatos Angels, a Filipino-Australian collective of theatre makers. During her time at WAAPA, Rachel has devised/directed the TILT programmed IMELDA (*winner of the PICA Contemporary Performance Award) and co-directed Representasian, as well as assistant directed the productions The Arsonists (dir. Melissa Cantwell) and The Day the Sky Fell Down (dir. Renee Newman). As a performer/devisor she worked on the site specific Folds at Boola Bardip (dir. Frances Barbe). She was in the 2022/2024 Blue Room Theatre Summer Nights programs as a performer in She's Terribly Greedy (dir. Eliza Smith) and as co-director/performer of IMELDA. Rachel is also an acting graduate of the Acting Performance Studio, is a 2019 Australian Shakespeare Company Graduate Player and last year travelled to Singapore to study NOH Theatre at the Intercultural Theatre Institute.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3f474cfd3a775f5ee947f5/1731399705521-AT7CK2CNCVOFWH2YU8RI/cezera.jpeg</image:loc>
      <image:title>ThisGen Fellows - Cezera Critti-Schnaars</image:title>
      <image:caption>Directing Fellow Based in Perth, Western Australia, Cezera is a proud Nyoongar and Greek artist whose passion for theatre started when she was a kid. As a teenager, she branched out into writing her own work, participating in Yirra Yaakin Writers’ Group. She completed the Aboriginal Performance Course at WAAPA in 2018. Since, she has worked with a number of companies in both acting, writing and directing positions. Most recently wrote and starred in her debut play Salted Pretzels at The Blue Room Theatre with APK Productions and directed ALL BOYS with every other theatre company for The Blue Room Theatre. For her performance in Hecate (2020) she was awarded Best Newcomer and Best Supporting Actress at the PAWA awards.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3f474cfd3a775f5ee947f5/1731399702946-MABDNWY4GER2Q732701A/elham.jpg</image:loc>
      <image:title>ThisGen Fellows - Elham Eshraghian-Haakansson</image:title>
      <image:caption>Directing Fellow Elham is an award-winning Iranian-Australian researcher, director, and video artist. Her arena of work centres itself within communal and collaborative social practice. Her research navigates inherited stories and postmemory felt by displaced communities through the poetics of the moving image. She invites viewers to become the 'witness' rather than the 'passive bystander', examining empathy in film poems, and immersive multimedia experiences facilitating a critical discussion surrounding empathy, custodianship, compassion, and social change. She has previously collaborated with Spaced, Next Wave, Victoria Park Community Centre, PICA, Community Arts Network, Immerse Australia, and Co3 Dance Contemporary. Her work has exhibited nationally and internationally, receiving numerous prestigious art awards for her video installations Her artistic values prioritize agency, empathy and legacy advocating for community arts programs, as co-founder of the Second Generation Collective, which seeks to bridge intergenerational gaps, navigating trauma and communal care.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3f474cfd3a775f5ee947f5/1731399699971-7B5297M5B3QL21QRV6LG/ghirija.jpg</image:loc>
      <image:title>ThisGen Fellows - Ghirija Jayarraj</image:title>
      <image:caption>Producing Fellow Ghirija is a multidisciplinary artist, with a Tamil heritage, deeply rooted in Indian classical dance, filmmaking, and dance theatre. Her work reflects an exploration of identity, culture, and the human experience. Through Shastram, an initiative she founded, Ghirija has bought forth stories that celebrate the spiritual and cultural richness of Indian classical arts, blending traditional and contemporary forms to create immersive experiences. As a filmmaker and dance theatre producer, she uses her art to express complex emotions, tell impactful stories, and foster understanding. Storytelling, for Ghirija, is a powerful tool to bridge divides and humanise experiences, particularly those of marginalised communities. Having come from a background marked by genocide, she is committed to sharing narratives that highlight resilience and strength, encouraging empathy and unity. Her work celebrates the diversity and evolving identity of migrants, particularly within Australia's multicultural landscape, and aims to inspire, heal, and bring people together.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3f474cfd3a775f5ee947f5/1771819563824-BEYO6IAW1SYLNSDPQ2V7/bm_anggana_credit_Aurora+Ribero.jpg</image:loc>
      <image:title>ThisGen Fellows</image:title>
      <image:caption>B.M. Anggana Cultural Leader B.M. Anggana is a producer, curator, dramaturg, and theater artist. He is the founder and Artistic Director of Sakatoya, a collective focused on arts management and ecological works. In 2019, he served as Program Manager of the Indonesia Dramatic Reading Festival (IDRF) and became its Artistic Director in 2024. From 2021 to 2023, he worked as a Performance Curator at ARTJOG. In 2024, he was selected to join Curatoké: Performance Curators Academy at Taipei Performing Arts Center and participated in Talents Tokyo 2024, part of the Berlinale Talents program. He was also selected for Professional Development Training in Management Production at Arts Centre Melbourne (2020), fully supported by the Australian Council for the Arts. As a producer, he has been involved in works including Monisme (2023) by Riar Rizaldi, which received multiple international awards, as well as works by Natasha Tontey and Fioretti Vera. He currently serves as Festival Director of Festival Kebudayaan Yogyakarta (2023-2027).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3f474cfd3a775f5ee947f5/1771819569537-HD8SM90R7COU9A9C1VMD/Lydia_photo+by+Rosie+Henderson+%281%29+%281%29.jpg</image:loc>
      <image:title>ThisGen Fellows</image:title>
      <image:caption>Lydia Ramalepa Cultural Leader Lydia Ramalepa is a multidisciplinary performing artist from Botswana, now based in Kepa Kurl (Esperance, Western Australia). Her practice spans singing, poetry, theatre, dance, oral storytelling, and acting, with a strong focus on community-based and intercultural performance. A trained teacher of Performing Arts in Botswana, Lydia continues her educational practice in Australia as a teacher at Wongutha CAPS, where she coordinates NAIDOC Week activities, including painting and drumming programs that celebrate First Nations culture and creative expression. In 2020, Lydia became an active member of Esperance Community Arts. Beyond performance, Lydia has coordinated arts programming for Taste of the World, bringing together 20 BIPOC artists across fashion, storytelling, dance, and music. She has also played a key role in Social Fabric, coordinating cultural events and collaborating on the creation of new collective works. A notable highlight was her poetry performance at the Diljba Festival. Lydia’s practice is grounded in cultural awareness, collaboration, and storytelling as a means of connection and belonging. Through language, performance, and shared creative processes, she continues to explore and celebrate diversity while fostering spaces for learning, re-learning, and intercultural exchange.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3f474cfd3a775f5ee947f5/1771819549725-74XKJ4LO0J7SDNB7YAK4/B_Mabel-8.jpg</image:loc>
      <image:title>ThisGen Fellows</image:title>
      <image:caption>Mabel Abatania Cultural Leader Mabel is a passionate and well connected community leader actively working at the intersection of leadership, culture and systems change. She helps people tell their stories in trauma-safe and culturally intelligent ways that preserve their message, empowers the storyteller, and connects deeply with the audience.  Mabel's background as a first generation Ghanaian migrant fuels her passion for truth in storytelling. Diasporan stories are rich, layered and complex, but are too often flattened into one or two dimensional stories of war, loss and poverty porn. She's changing the narrative by sharing her story and most importantly, helping others share theirs in non-exploitative ways.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3f474cfd3a775f5ee947f5/1771819571964-PPWQER5288JFV6RL5YD9/Mireia_Gonzalez_2.jpg</image:loc>
      <image:title>ThisGen Fellows</image:title>
      <image:caption>Mireia Gonzalez Cultural Leader Dr. Mireia Gonzalez is a Spanish multidisciplinary artist, curator, and cultural leader based in Kalgoorlie, Western Australia. Over the past decade, she has developed an interdisciplinary practice informed by a PhD in Plant Genetics, formal training in Flamenco and Ballet, and extensive community arts projects across Barcelona, Paris, Rome, and regional WA. Mireia is the Curator at the Goldfields Arts Centre, where she programs exhibitions, collaborates closely with artists, and oversees installations. Her practice explores the intersection of art, science, and the body, often grounded in community engagement and cultural exchange. From 2017 to 2020, Mireia worked as a tutor in Plant Genetics at the University of Western Australia, where she integrated artistic methodologies—such as theatre, role play, and life drawing—into science education. Her curatorial work includes a collaborative photographic exhibition with "Humanistes sense fronteres" at Villa Rufolo in Ravello, Italy (UNESCO World Heritage). More recently, she has focused on strengthening cultural life in regional communities, producing events such as The Night of the Muses in Kalgoorlie. Mireia’s practice weaves together art, science, movement, and place to create meaningful dialogues between people, landscapes, and cultural knowledge</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3f474cfd3a775f5ee947f5/1771819576883-7RWTKX10PVZZIGJPRC24/Wendy_MockeHeadshot.jpg</image:loc>
      <image:title>ThisGen Fellows</image:title>
      <image:caption>Wendy Mocke Cultural Leader Wendy Mocke is a Papua New Guinean interdisciplinary storyteller (actor, playwright, screenwriter and visual artist). A NIDA Acting graduate, she has performed across Australia onstage and on screen. She co-wrote the Queensland Theatre adaptation of Pride and Prejudice (2025). Wendy won the 2024 Patrick White Playwrights’ Award for REALish and the 2023 Griffin Award for I Am Kegu. Her web series Bad Ancestors was produced through ABC’s Fresh Blood initiative, nominated for a 2025 AACTA Award, and received an AWGIE nomination this year. Her visual art project m e r i has exhibited in Cairns and Brisbane.</image:caption>
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      <image:title>ThisGen Fellows - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Collider - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Encounter Youth Ensemble - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f3f474cfd3a775f5ee947f5/355f7b39-4039-49de-b811-6d112cd05ac0/Kloe+Headshot.jpg</image:loc>
      <image:title>Encounter Youth Ensemble - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>ThisGen - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Longhouse - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Mahabharata - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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